Nam June Paik: Electronic Expression (analytical essay.
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The Worlds of Nam June Paik is a celebration of the moving image and an appreciation of Paik's impact on the art of the late twentieth century. The full range of Paik's singular achievement is represented--from his early 1960s performance pieces through his videotapes, installations, megatrons and celebrated robot portraits--including his recent, spectacular laser-projection installations in.
Nam June Paik was an American-Korean artist widely credited as the founder of video art. “I want to shape the TV screen canvas as precisely as Leonardo, as freely as Picasso, as colorfully as Renoir, as profoundly as Mondrian, as violently as Pollock, and as lyrically as Jasper Johns,” he declared in his 1969 manifesto.Born on July 20, 1932 in Seoul, Korea, he moved with his family to.
Nam June Paik used video footage as paint and TV sets as sculpture to invent an entire art form. Laura Cumming enjoys Tate Liverpool's stunning retrospective.
Nam June Paik Nam June Paik was born in Seoul, Korea on July 20, 1932. He was the fifth and youngest child of a textile merchant. In 1947, at the age of 14, he studied piano and composition with two of Korea’s foremost composers. The family moved to Tokyo, Japan in 1950 to avoid the havoc of the Korean War. Paik studied music, history, art.
Nam June Paik is a Korean American artist and is considered to be an inventor and pioneer of video art. Paik was also one of the founding members of Fluxus which is a group of people from different countries who are artists, composers and designers who were experimenting different artistic media and disciplines in the 1960s.
This essay describes the discovery and significance of Etude 1 (1967), a previously unknown work by media artist Nam June Paik. Composed at Bell Labs and written in an early version of the computer. This essay describes the discovery and significance of Etude 1 (1967), a previously unknown work by media artist Nam June Paik.